The Next Picture Show

The Next Picture Show

Filmspotting

9 episodes

Episodes

Existential Zones, Pt. 2 — It Ends
Sep 15, 2026 · 1h 2m
Hosts Tasha Robinson, Keith Phipps, and Scott Tobias discuss Alexander Ollam’s micro-budget indie film *It Ends*, a surreal drama about four friends trapped on an endless road.
#539: Existential Zones, Pt. 1 — Solaris (1972)
Sep 8, 2026 · 1h 8m
Hosts Tasha Robinson, Scott Tobias, and Keith Phipps discuss existential themes in Andrei Tarkovsky’s Solaris and the 2024 film It Ends.
The Family That’s Prey Together, Pt. 2 — The End of Oak Street
Sep 1, 2026 · 1h 2m
Hosts Keith Phipps, Tasja Robinson, and Genevieve Kosky review David Robert Mitchell’s *The End of Oak Street*, debating its B-movie charm, feathery dinosaur designs, and lack of subtext.
The Family That's Prey Together, Pt. 2 — War of the Worlds (2005)
Aug 25, 2026 · 1h 5m
Hosts Keith Phipps, Genevieve Kosky, and Tasha Robinson discuss travel movie habits before analyzing Steven Spielberg’s *War of the Worlds*.
Anyone Can Cook, Pt. 2 — Tony
Aug 18, 2026 · 1h 18m
Hosts Scott Tobias and Tasha Robinson, joined by guest Roxanna Adati, discuss Matt Johnson’s biopic *Tony* and its thematic parallels with Pixar’s *Ratatouille*.
#535: Anyone Can Cook, Pt. 1 — Ratatouille
Aug 11, 2026 · 1h 15m
Scott Tobias, Tasha Robinson, and guest Roxana Haddadi discuss Pixar’s *Ratatouille*, analyzing its themes of creativity, kitchen hierarchy, and the "anyone can cook" mantra.
Home Sweet Homer, Pt. 2 — The Odyssey
Jul 28, 2026 · 1h 14m
Hosts discuss Christopher Nolan’s *Odyssey*, praising its emotional depth, non-linear storytelling, and physical spectacle, particularly the Trojan Horse sequence.
Home Sweet Homer, Pt. 1 — O Brother, Where Art Thou?
Jul 21, 2026 · 1h 15m
Hosts Tasha Robinson, Genevieve Kosky, Scott Tobias, and Keith Phipps share recent recommendations before analyzing the Coen Brothers' *O Brother, Where Art Thou?
Lady Justice, Pt. 2 — Supergirl
Jul 14, 2026 · 1h 1m
The hosts review the new *Supergirl* film, praising Millie Alcock’s performance but criticizing the movie as a mediocre, formulaic entry in the DCU.
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