Instant Classics

Instant Classics

Vespucci

9 episodes

Episodes

What did Roman emperors really look like?
Oct 8, 2026 · 58m
Mary Beard and Charlotte Higgins explore the gap between the idealized marble portraits of Roman emperors and the detailed, often unflattering descriptions found in Suetonius’ writings.
The Bayeux Tapestry: Britain’s Lost Latin masterpiece
Oct 1, 2026 · 56m
Mary Beard and Charlotte Higgins explore the Bayeux Tapestry’s 338 words of Latin, arguing that the captions reveal a multicultural mix of Anglo-Saxon and Norman influences.
Classic Chats: Daniel Mendelsohn on translating the Odyssey
Sep 24, 2026 · 59m
Classicist Daniel Mendelson joins Mary Beard and Charlotte Higgins to discuss Christopher Nolan’s *Odyssey* film, debating whether adaptations should prioritize fidelity or medium-specific innovation.
How Homer’s Odyssey Conquered the English-speaking World
Sep 17, 2026 · 59m
In this episode of Instant Classics, hosts Mary Beard and Charlotte Higgins, joined by producer Johnny Claypole, explore how Homer’s Odyssey has shaped English literature.
How Homer's Odyssey Conquered the Ancient World
Sep 10, 2026 · 53m
Mary Beard and Charlotte Higgins explore ancient adaptations of Homer’s Odyssey, arguing that the epic was constantly reinterpreted by later writers.
The Vestal Virgins - just how virginal were they?
Sep 3, 2026 · 54m
Mary Beard and Charlotte Higgins explore the history of Rome’s Vestal Virgins, examining their sacred duties, public privileges, and the severe punishment for breaking their vow of chastity.
Classic Chats: Robert Harris on ‘Agrippa’
Aug 27, 2026 · 54m
Hosts Mary Beard and Charlotte Higgins discuss the end of their Odyssey series and preview Robert Harris’s novel Agrippa.
Marcus Agrippa: Power behind the throne
Aug 20, 2026 · 54m
Mary Beard and Charlotte Higgins explore the life of Marcus Agrippa, the indispensable right-hand man to Emperor Augustus.
BONUS Emily Wilson on translating the Odyssey
Aug 18, 2026 · 49m
Emily Wilson discusses her translation of The Odyssey, explaining her choice of iambic pentameter to capture the poem's speed and dramatic energy.
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