You Can't See Everything
Summary
Hosts Mary Harris and guest Thomas Flight analyze the box office phenomenon "You Can See Everything," a three-hour film by Nathan Fielder and Lance Oppenheim that chronicles Elizabeth Holmes’ final days before prison. The discussion explores the film’s unique blend of documentary and fiction, its marketing strategy, and its exploration of truth in the modern media landscape. They also debate the film’s ethical implications, audience reactions, and its potential impact on the Academy Awards.
Topics discussed
Sponsor: Series by Marriott
Sponsor: Citizens Bank
Introduction: Thomas Flight and the film phenomenon
The film's genre and unprecedented box office success
Why the movie resonates: craft and media disorientation
Sponsor: Charles Schwab Washington Wise
Sponsor: FreshBooks
Sponsor: Citizens Bank
Marketing strategy and the viral 'Are you telling me the truth' clip
Background on directors Nathan Fielder and Lance Oppenheim
First half: Documenting Holmes and Evans' final days
Second half: Amanda Seyfried's entrance and meta-narrative
Ethics of documentary: truth, bias, and financial deals
Sponsor: Monarch
Sponsor: Serval
Did the filmmakers get duped? Sympathy and media manipulation
Audience reactions: gender dynamics and perception of truth
Oscar potential and the film as a modern horror movie
Closing remarks and credits
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