Will Forte
Sep 1, 2026 · 1h 0m
Summary
Andy Richter discusses the unlikely theatrical release of *Coyote vs. Acme* after Warner Bros. shelved it, praising the film's quality and the fans who demanded its release. He reflects on the corporatization of entertainment, contrasting risk-averse executives with creative risks like *Last Man on Earth* and the indie horror hit *Obsession*. Richter also shares insights on his collaborative process, the exhaustion of running a series, and the value of trusting one's creative instincts.
Topics discussed
Sponsors: Grounes and Thumbtack
Olympic breakdancing and the joy of live mishaps
Signing onto Space Jam: A New Legacy
Excitement over the script and director's vision
Warner Bros cancels theatrical release
Writing a letter to the crew and the movie's revival
Sponsors: Mint Mobile and AdoptUSKids
The movie's wide release and fan impact
Experience filming the indie horror movie Obsession
Critique of corporate entertainment and risk aversion
The pressure of showrunning and creative control
Sponsors: Grounes and Wayfair
Collaborative trust in comedy writing rooms
Developing Last Man on Earth and episode counts
The exhaustion of writing, directing, and starring
Comparing workloads and executive gender dynamics
Alpha male executives and Space Jam premiere prep
Gratitude, shower habits, and credits
Sponsors: Wayfair and Angie's List
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