The Big Picture The Big Picture

You Must See ‘You Can See Everything.’ Plus: Judd Apatow!

Oct 16, 2026 · 2h 46m

Summary

Sean Fennessey and Amanda Dobbins discuss the new Narnia trailer, debating its CGI visuals and Greta Gerwig’s rock opera approach. They also cover news that Zendaya will star in Alex Garland’s next A24 sci-fi film. The main focus is a detailed, spoiler-filled analysis of the documentary You Can See Everything, which explores Elizabeth Holmes’s final days before prison and questions the nature of truth in filmmaking.

Topics discussed

Intro: You Can See Everything and Greta Gerwig's Narnia Trailer review: The Magician's Nephew and Stairway to Heaven Greta Gerwig's faith and the visual style of the adaptation Target audience: Children vs. Nostalgic Adults Show longevity and upcoming X-Men and Elden Ring movies Fjord release schedule and other weekend releases You Can See Everything: Plot summary and themes of truth Documentary purpose and the Fielder/Oppenheim collaboration Film structure: Fly-on-the-wall vs. Nathan's intrusion Personal connections to Elizabeth Holmes and her background Holmes as a tech founder archetype and media portrayal The New York Times profile and the 'tapes' controversy Memoir conflicts and the 'dick in the shower' scene Billy's obsession, the family dynamic, and the baby Relationship dynamics and the recurring egg-beating scene Parental interviews and the revelation of past trauma Semantic debates: 'Can' vs 'Capable' and Who's on First Speculation on Holmes' communication style and ability to lie The strangeness of the household and Nathan's meta-awareness Billy in Texas, the gun range, and Amanda Seyfried's entrance Seyfried's role in The Dropout and confrontation with Billy Billy's social media, political views, and eating habits A24 negotiations and Billy's threats regarding the warden Prison visit intercut with Seyfried reading the script Nathan's lovelorn persona and the film's atonal ending Ethical questions about including the children Origin story: The Magic Castle and the 3-year shoot Interviewing techniques and enduring silence Oscar eligibility for Seyfried and Best Picture predictions Interview: Lance Oppenheim's childhood and early interviews Interview: Learning from SNL cast and Harry Anderson Interview: Financing, duration, and the two-part format Interview: Capturing intrusive thoughts and lack of self-consciousness Interview: Working with Norm and Adam's abandoned belongings Interview: Norm's complexity and the unreliable narrator Interview: Archival research and constructing the narrative Interview: Shifting from comedy ambassador to documentary Interview: Spiritual journeys and the point of life Interview: Orwellian words and political ambiguity Interview: Re-watching Knocked Up and the 4K release Interview: New directors and the joy of pure inspiration Outro: Credits and next week's topics
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