The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ With Gillian Anderson, Hannah Einbinder, and Jane Schoenbrun!
Summary
Host Sean Fennessy and guest Adam Naiman analyze Jane Schoenbrunn’s new film *Camp Miasma*, discussing its blend of slasher satire, queer romance, and meta-commentary on Hollywood. They explore the movie’s playful tone, its departure from Schoenbrunn’s previous work, and the performances of Hannah Einbinder and Gillian Anderson. The conversation also touches on generational filmmaking trends and the film’s unique approach to horror conventions.
Topics discussed
Introduction and episode overview
Camp Miasma: Tone, playfulness, and academic critique
Jane Schoenbrunn's filmography and viral horror themes
Joyful approach vs. shame in coming-of-age narratives
Slasher POV, tonal elasticity, and humor
Satire, casting, and the Norma Desmond archetype
Voyeurism, safety, and the 'unsafe' feeling of horror
Comparison to Obsession and mainstream horror trends
The Final Girl trope and genre evolution
Interview: Early horror influences and casting dynamics
Balancing sincerity and satire in Camp Miasma
Practical effects, blood scenes, and character intimacy
Counting Crows soundtrack and other film recommendations
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