"THE WRECKING CREW" plus an obsessive's look at the music of Richard Davies w/ Richard Davies
Summary
Richard Davies of The Moles discusses his musical origins, from the Beatles to the Wrecking Crew, and his collaborations with Bob Pollard. They explore the creative processes behind albums like *Instinct* and *The Cardinal*, highlighting the joy of finding hidden variations in recordings. Davies shares anecdotes about session musicians and the philosophy of artistic isolation versus commercial pressure. The conversation emphasizes the beauty of imperfect, human-driven music creation over polished perfection.
Topics discussed
Patreon promotion and guest introduction
Shared love for The Mole and finding rare records
Childhood memories of Beatles box sets and albums
Acquiring and discussing Beatles Christmas flexi disks
The concept of 'desperately needed' music vs. trends
Discussing the film 'Wrecking Crew' and sonic experimentation
The philosophy of releasing multiple album versions
Anecdotes about session musicians and bagpipers
A personal story about a hero in a nursing home
Influences from The Wrecking Crew on Davies' work
Inspiration from 60s commercials and session records
Living in New York City and the expatriate experience
Recording process and capturing feelings of displacement
Collaborating with Bob Pollard and The Mole
Early band experiences and the Sub Pop era
The creative dynamic between Davies and Pollard
Appreciating haphazard charm and T. Rex vocals
The professionalism and happenstance of The Wrecking Crew
The cyclical nature of music trends and fame
Cultural differences in communication between US and UK
Bass playing styles and the documentary's innocence
Closing remarks and final question
Listen ad-free on Castria