The legendary Peter Watts: author of STARFISH, BLINDSIGHT, "The Things", and FOLD CATASTROPHES
Summary
Peter Watts discusses his transition from marine biology to science fiction, detailing how his research on deep-sea ecosystems and pressure physiology inspired novels like Starfish and Blindsight. He explores the scientific rationale behind his cosmic horror themes, including the concept of life as a colony of competing cells in The Things. The conversation also covers the history of his early rejections and the evolution of the Alien franchise, with Watts critiquing later films for sacrificing the original mystery for exposition.
Topics discussed
Introduction of guests and Peter Watts' background
Wildlife encounters and early career stories
Host introductions and personal trivia
Aging, lightning strikes, and book back cover details
Biographical discrepancies and cat Banana
Academic research on porpoises and funding conflicts
Transition from science to professional writing
Publishing history and the deep sea movie boom
Early authors and grad school social dynamics
Inspiration for the novel Blindsight
Scientific basis for psionics and the Rifter edge
Science fiction vs fantasy and character criticism
Discussion of techno-business horror and Blind Sight
Opinions on the Alien film franchise
Alien novelization and The Thing's shapeshifter themes
Defining individuality and The Thing's plot holes
Publishing The Thing and fan reactions
Challenges of writing alien perspectives
Depressive realism and the hedonic treadmill
Acclimating to success and publishing pressures
Political views and personal luck
Surviving necrotizing fasciitis in Canada
Medical costs and post-surgery anecdotes
Predictive fiction and encounters with police
Story notes on gut bacteria and Neuralink
Religious views and recent work
Failed film adaptations and licensing issues
Recommendations and the splotchy orange cat
Cat Henry's story and building a catio
Closing remarks and upcoming guests
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