Zach Snyder discusses his passion project, The Last Photograph, which he independently financed and shot himself after it languished for over two decades. The conversation covers the film’s divisive reception at the Toronto International Film Festival, where Snyder reflects on the polarized discourse surrounding his work and his self-aware approach to kitsch. He also addresses upcoming projects, including his direction of Escape from New York and a 300 prequel series, while touching on his exit from the DC universe and his ongoing interest in adapting The Fountainhead.
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