Alan Moore talks Long London, Watchmen, The Simpsons & why he walked away from comics (4K)
Summary
Alan Moore discusses his late-night writing process, the origins of his Long London series, and the blend of humor and horror in his work. He reflects on the philosophical tension between eternalism and free will, arguing that we must act as if we have choice despite a potentially predetermined universe. Moore also shares anecdotes about his worn-out keyboards and the real-life inspirations behind his characters, emphasizing the importance of artistic commitment and authenticity.
Topics discussed
Intro: Life as a genre and Simpsons appearance
Welcome, subscription request, and Mandula Festo
Uncle Julian, Reducer, and the infinite regress poster
Daily routine and the psychic silence of 2 AM
Writing under the influence of hashish
The Panaceans, Bedford, and the fridge magnet quote
Worn-out keyboards and the Museum of Fine Arts
Youthful exuberance and the origin of Coffin Ida
Genre, humor, and the hostage scene in Book 2
Researching Joe Meek's voice and the letter from Elaine Duke
Historical accuracy and the grouting of fiction
London history: Cable Street, heads in jars, and Swedenborg
Planning process and leaving space for chance
Free will, eternalism, and the predetermined universe
Wittgenstein, narrative, and the illusion of time
Nietzsche, magic, and living a good life
The Simpsons, TV habits, and disassociating from comics
Illuminations, the comics industry, and music career
Mandula Festo's prescience and Brexit
New advice, storytelling book, and art's duty
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