‘Odyssey’ translator Emily Wilson: Nolan should've hired a screenwriter
Summary
Classics professor Emily Wilson discusses her acclaimed translations of The Odyssey and The Iliad, critiquing Christopher Nolan’s new film adaptation for lacking the depth of Homer’s original text. Wilson explains her translation philosophy, emphasizing meter and pacing, while addressing online backlash and the misconception that her work is primarily a feminist project. She also shares insights from her new essay collection, Crossing the Wine Dark Sea, and reflects on her personal journey into classical studies.
Topics discussed
Intro: Emily Wilson, Homer translations, and Nolan's film
Odyssey plot summary and Wilson's critique of the film
Critique of Odysseus' motivation and the film's portrayal of gods
Challenges of translating poetry: meter, sound, and meaning
Comparing Greek original, Fagel, and Wilson's opening lines
Analysis of 'polytropos' and Odysseus' characterization
The Sirens: knowledge, temptation, and visual depiction
The slaughter of suitors and enslaved women: translation bias
Wilson's background, childhood, and tattoos
Handling online criticism and misogynistic trolls
Feminism, female characters, and audiobook recommendations
New Odyssey translation approach and show credits
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