Existential Zones, Pt. 2 — It Ends
Summary
Filmspotting discusses Alexander Ollam’s micro-budget indie film *It Ends*, a surreal existential drama about four friends trapped on an endless road. The hosts analyze the film’s subversion of horror tropes, its sharp dialogue, and its themes of time, hope, and human connection. They also draw parallels to Andrei Tarkovsky’s *Solaris*, noting how both films use extreme, liminal situations to explore the nature of humanity and the divine.
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